"It is with a heavy heart that we say goodbye to our dear friend and father of the Grammy Awards, Pierre Cossette," Academy president and CEO Neil Portnow said.
Cossette, a native of Valleyfield, Quebec, was an accomplished television and theater producer who managed some of American pop music's most influential early bands. But he is best known for guiding the Grammy Awards from its early days as a stuffy, unsuccessful production to the industry institution it has become.
In its early years, the Grammy show was an hourlong compilation of recorded performances, and it was not a commercial success. When the production rights became available in 1971, Cossette already had a successful career in the music business as a producer and manager.
He had the ambitious idea to turn the show into a grand musical showcase full of live performances, but he had difficulty selling networks on his vision. Executives were particularly skeptical that there was an audience for a performance-based TV show. But Cossette - nicknamed "Showbiz" - persevered.
The Grammy Museum, which opened in December 2008, is called the Pierre Cossette Center and contains a corner exhibit dedicated to him.
In an interview before the 2009 Grammy Awards, Cossette said the acknowledgment served as validation of his life's work.
"I was thrilled," he said. "I could only think back to when we first started it, in ballrooms and dance halls and hotel rooms, and (then it) finally growing up to this monster thing. And all the trials, tribulations of getting there. Booking the places then having to cancel because either the Academy or the record industry wouldn't support it. My part of it, proving them wrong, was exciting for me."
Cossette produced the Grammy Awards until 2005, when his son took over the job for Cossette Productions.
Before working on the Grammys, Cossette served as personal manager for Ann-Margret, Vic Damone, Dick Shawn, and Rowan & Martin. He is credited with pioneering the Las Vegas lounge act format. Soon, Cossette struck out on his own by founding Dunhill Records, where the roster included the Mamas and the Papas, Steppenwolf, Johnny Rivers and Three Dog Night.
He later sold the label and became a TV producer. He got his start with Johnny Mann's "Stand Up and Cheer," and expanded his roster to include "The Glen Campbell Show," Sammy Davis's "Sammy and Company," "Salute," "ShaNaNa," and "The Andy Williams Show."
Funeral arrangements have not been announced.
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