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John invited me to his home in Montgomery County where he lives with his wife and daughter, a few weeks after he returned from a European tour to promote Baroness' fifth studio album "Gold & Grey" - my personal favorite of 2019. John's home is the same place where he practices and records with his band, plus paints his many portraits for Baroness and other bands.
We spent two hours (one hour of which was recorded for this podcast) talking about his continued love affair with the Philadelphia region, his obsession with colors, his desire to make his band different in every way and his steadfast resolve to live the "DIY" ethic. Recorded in Bala Cynwyd, PA on December 13, 2019.
In this podcast: An excerpt of "Front Toward Enemy," the lead track from "Gold & Grey" (0:10).
Why John chose to call the Philadelphia area as his home and a home base for Baroness several years ago (2:36).
How Philadelphia was like a tractor beam as it was the birthplace of his parents and where John went to elementary school before his move to Virginia (5:20).
Baroness' recent European tour and surviving on the road (7:20).
How fantastic musicians sometimes have mediocre touring abilities (8:04).
The ingredient that has been the constant to Baroness' success (8:58).
How touring the world to play music is such an adventure (11:44).
How the stress of touring has led to seven lineup changes with the band (14:00).
John Baizley of Philadelphia-area metal band Baroness says the DIY aesthetic is a moral and ethical code for him. Listen to my interview in a brand new True Philadelphia Podcast on Apple Podcasts: https://t.co/mIqzbnSrCh @YourBaroness pic.twitter.com/omT5yFVf80— Matt O'Donnell (@matt_odonnell) December 31, 2019
The complexity and variance of writing a new record (15:02).
Their performance at The Fillmore Philadelphia and how confident they were onstage (16:06).
The new album "Gold & Grey" and why recording it kept the band up at night (18:54).
Trying to evolve with Baroness' fifth studio album (22:10).
Shutting out the noise of critics, whether positive or negative feedback (22:50).
Making the traditional format of a regular band with vocals, guitars, bass and drums different (23:30).
How he's endured 16 years in the same band (26:20).
If John has a favorite color (28:40).
Why colors interest him so much (29:25).
Where the idea of naming each Baroness album after a color (or colors) came from (31:30).
Why the colors motif and the feminine-themed name and artwork for the band has always been a response to the outer music scene (33:30).
Why the explosion of Nirvana on the music scene meant so much to him (35:51).
Why "Nevermind" was "that" album for him (36:35).
Learning to always apply the "DIY" ethic (37:45).
How the legendary band Fugazi taught everyone how to respect an audience (40:15).
How Baroness acts "communally" on the road (43:10).
Living with ethics and a moral code (44:05).
The tour bus crash in England in 2012 and how he's returned to the accident site (44:28).
If he believes the crash was fate for him and his band and if it strengthened his resolve to live (48:30).
The oddity of still being able to play guitar with his left hand (which was horribly injured in the crash) but not being able to open a jar with the same hand (50:30).
Where John likes to hang out in Philadelphia, with shout-outs to Union Transfer and the Philadelphia Museum of Art (53:05).
Why you can't "cruise" in Philadelphia as opposed to other big cities (55:10).
His choice for the best band out there right now, plus the best bands from the Philadelphia scene (with shout-outs to Nothing, Sheer Mag and Woe) (58:00).
How the goal of forming a band you cannot categorize can become complicated (1:00:26).
Excerpt of "Cold-Blooded Angels" from "Gold & Grey" (1:02:40).