'Sopranos' for the Ph.D. set
NEW YORK (AP) - May 23, 2008 But not this kind: "Body of Evidence: Tony Soprano's Corporeal
Battle." "Episode Five, or When Does a Narrative Become What It
Is?" "Carmela Soprano as Emma Bovary: European Culture, Taste,
and Class in 'The Sopranos."'
Nearly a year after the smash series' finale left fans guessing
what it all meant, dozens of scholars gathered at Fordham
University Friday to parse what "The Sopranos" had to say about
topics ranging from gender roles to the justice system, race
relations to health care. The conference, which is open to the
public, spans four days and 60 research presentations. It's
expected to draw an audience of hundreds of researchers and fans.
It's tempting to wonder whether any phrase has been left
unturned in discussions of the HBO hit, which ran from January 1999
until its famously oblique ending in June 2007. It inspired
exhaustive media criticism and books on psychology, criminology,
cooking, even waste management. It has cropped up in some college
course catalogs, and Fordham hosted a 2002 panel discussion of the
show's impact on television history.
But this weekend's symposium, which drew researchers from as far
as Australia, appears to be the biggest academic airing of
Sopranos-ophy yet.
"One of the deepest issues in the academic world is the
relationship between fiction and reality," said Fordham
communication and media studies chairman Paul Levinson, who
organized the conference with colleagues at Fordham, Suffolk County
Community College and Brunel University in London. As a fictional
lens on the true-life phenomenon of organized crime, Levinson says,
"'The Sopranos' typifies that fascinating intersection."
Indeed, the conference lineup included a New York criminal
defense lawyer and two Mafia prosecutors from Palermo, Sicily,
looking the show's engagement with legal issues.
Their session mingled with headier intellectual fare, such as
discussions linking "The Sopranos" with Yeats, playwright Tom
Stoppard and novelist and short story writer Flannery O'Connor.
Other researchers delved into the show's dream sequences, use of
silence and approach to epistemology, the branch of philosophy
concerned with the source and nature of knowledge. The postmodern
French philosopher Michel Foucault was invoked at least three times
Friday - before 10 a.m.
Some observers sniff at the idea that the small-screen
misadventures of a suburban Mafia don deserve academic attention.
Candace de Russy, a State University of New York trustee who writes
a blog on education issues for the conservative National Review,
suggested the "Sopranos" conference smacked of "what the Bard
called ... 'three-piled hyperboles."'
"There are important kinds of ideological messages and values
that are communicated in (television and other popular) media that
are ripe for analysis," said Marymount Manhattan College English
professor Peter Naccarato. He and communications professor Kathleen
LeBesco were due to give a talk Saturday on how food and meals
reflected the series' currents of loyalty and betrayal - as when
Tony feels guilty about patronizing a new restaurant instead of his
longtime friend Artie's eatery.
To Ohio State University English professor Sean O'Sullivan,
complex series such as "The Sopranos" are modern-day mirrors of
19th-century serial novels - a "Pickwick Papers" for the cable
generation, perhaps.
O'Sullivan was scheduled to discuss the narrative structure of
"The Sopranos," as was Ilaria Bisteghi, a recent graduate of
Italy's University of Bologna who wrote her senior thesis on the
show. It "demonstrates that television has arrived at its top
level of maturity and understanding of what you can do with it,"
she said.